International Documentary Film Festival and Market - Miradas Afroindígenas

Miradas Afroindígenas

International Documentary Film Festival and Market

november 22-29

Presentación

DOCanarias seeks a contemporary perspective on non-fiction cinema, to open up new ways of viewing reality in all its complexity. Films that allow us to ask questions, appeal to our curiosity and engage our intelligence—a sensitive and empathetic intelligence. Films that encourage us to take an active role and break away from the media’s singular, individualising narrative. Taking a seat in the cinema at our festival means participating in an experience that reconnects us with the collective, with curiosity about others and with what unites us.

News

DOCanarias 2026_X Foro AfroLatam 01_Foto Patri Cámpora
DOCanarias abre la convocatoria de proyectos que buscan financiación en su mercado hasta el 30 de octubre
El Mercado Internacional de Cine de Realidad de Canarias se celebrará del 2 al 4 de febrero de 2027 DOCanarias...
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Mercedes Afonso premio DOCanarias
‘El mapa para tocarte’ y ‘Kikuyu Land’, premios D. O. Canarias y al mejor largometraje internacional en DOCanarias 2026
El Festival Internacional de Cine de Realidad de Canarias reconoció la obra de la cineasta Tatiana Huezo...
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El eco 01_Tatiana Huezo_Narrativa Personal_DOCanarias 2016
Tatiana Huezo: “Los personajes de mis películas son soles enormes, cuentacuentos con el don de la palabra”
La cineasta mexicano-salvadoreña dialoga con el periodista Javier Tolentino tras la proyección de su...
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Interviews

INSTITUTE

Workshop on Contemporary Non-Fiction Criticism

Crítica Cinematográfica invites international non-fiction film specialists, generating a space for film analysis with our audience through the screening of a film from the Official Selection.

Sign up to learn firsthand about the movements that allow critics to understand and evaluate a film.

Presentation

A space for documentary filmmakers

DOCanarias was conceived as a space for filmmakers from Africa and Latin America, as well as for international productions whose stories take place in these regions. It articulates a unique and original cinematic language rooted in reality, one that opens up the possibility of rewriting narratives
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